& Rama X'icam

Konnakkol, the ancient rhythmic art form of South India, is an oral tradition that combines syllabic vocalization with complex rhythmic structures, offering musicians a profound understanding of rhythm and timing. In this session, participants will experience Konnakkol through an engaging 5-minute performance, followed by an introduction to its core principles and its many benefits for musicians and educators alike.

As Western musicians who have learned Konnakkol as a second rhythmic language, the presenters bring a unique perspective to how this tradition complements Western music education. We will share insights from my journey, discussing how Konnakkol challenged and enriched our rhythmic perception and how its principles can be translated to enhance Western music education.

Ana is a member of NSRMTA, a certified Konnakkol teacher, and a music educator specializing in world music pedagogies. With a background in music therapy, pedagogy, and performance, she integrates global traditions into innovative teaching methods, using storytelling and imagination as powerful tools to inspire and educate. Ana’s expertise bridges cultures, enriching music education worldwide.

Rafael Marcelino, known artistically as Rama X’icam, is a Mexican multi-instrumentalist, composer, arranger, and producer whose work explores rhythm and groove as a universal musical language. His formal training began in Querétaro, Mexico, and he studied bass at the Escuela de Música Creativa in Madrid and earned a Bachelor's degree in World Music Bass at the Rotterdam Conservatory (CODARTS) in the Netherlands. His deep study of Konnakkol (Carnatic vocal percussion) under Shri Vidwan Somashekar Jois led to his certification as both a performer and educator in this intricate rhythmic tradition. He also co-founded the Pakinda Musik Methodology, an educational approach that integrates music and storytelling for childhood development. He also serves as an educator at Konnakol Mexico, affiliated with the World Konnakkol Academy LLP.‍